Hello all. As you can obviously tell, I haven’t had as much time to post on this thing as I would have liked. Manys a brilliant gig have been and gone, and not so much as a exclamation mark on this blog to note its success.
Then tonight, after watching Glor Tire on TG4, the Irish country talent show where a friend of mine is a contestant this year (Tracey McGilligan), I took note of where the show is being filmed, and was reminded of my gig in the very same venue: The Quays, Galway.
Sitting now and reminising, I thought, hold on, I make the rules on this blog. It’s not too late for me to write about a gig which took place in July. I’m not given a deadline to write about a gig. So, I thought, “feck it”, I’ll write a wee bit on wordpress about my experience of The Quays in Galway.
It was the 30th of July 2010, and I was playing with “Sunshine”. This would be my first, and not my last, gig with the Belfast based band. The band consisted of David Wright (lead vocals and lead guitar), Carlo the drummer (can’t remember which instrument he played, Danny McCormack (bass and backing vocals), and of course myself, on keyboards and backing vocals.
I had never played, or even been to the venue before, but had heard great things about its character, acoustics and atmosphere. When I arrived, I immediately recognised the iconic stage (with the backdrop of a real full sized pipe organ) from photographs and videos I had seen. However, what these aforementioned videos and picture did not depict, was the Health and Safety NIGHTMARE which was that stage.
The stage is raised around 8ft off the ground in parts I’d say (I was never a good judge of distances), and is split into four separate “podiums” if you like, at different heights to the others. There is no form of barriers to stop instruments, amps and of course musicians falling into the abyss of drunken punters, several feet below and when you are on the stage, it feels as though it will give way at any moment, probably due to the spilt-beer-induced-wood-rot. And to top it off, there were no steps between the podiums, so musicians have to find a creative way to get to where they are playing.
So I was only in the door, and I couldn’t even fathom a plausible route, to getting onto the stage, never mind actually attempting it. Naturally, I had to set up on one of the two highest podiums: why? Because I think there’s something about my personality which invites any situation to never be straight forward. So, after much deliberation, napkin diagrams and a few minor injuries, my boards were set up and ready to go.
All of this into consideration, I fell in love with the venue straight away.
The normal pre gig apprehensions set in, as always hoping for a good turnout, for there not to be too many mistakes by anyone, and for the music to be received well by the audience. However, these worries were very quickly replaced with that of, “Oh my God, this place is going to be STUFFED!”
It was the week of the Galway races, and the streets were packed with drunken jockeys, wannabe jockeys, racing enthusiasts, rich gamblers, fine looking women and of course people who just wanted to get drunk. Every pub, restaurant and cafe along that area of Galway, was packed. And as the Quays is an extremely popular venue, we knew straight away that the night would be brilliant.
After getting to know the lads over chicken and chips from McDonagh’s (amazing) we headed back to the Quays for a quick bit of dutch courage, and then we took to the stage. Oh no wait! – Firstly, Danny and I had to run back through the crowded streets to find Mr McDonagh (I’ll assume) locking up the chippy for the night, where my wallet sat nestled in the dark corner of where the table met the wall where we were sitting. After receiving said wallet, and a few insults in Irish by Mr McDonagh, we ran back to the Quays for a quick argument with the doorman to explain that we were’nt paying in since, ya know, we were the band and all, and THEN we took to the stage.
The set consisted of tunes from the usual Sweet Home Alabama (Skynyrd), Sweet Caroline (Diamond), Summer of 69 (Brian Adams), and Walk of Life (Dire Straits) to Purple Rain (Prince), and Angels (Robbie Williams). Every single moment of the gig was enjoyable. The place was absolutely stuffed with a crowd that had probably been on the “rip” all day, which made them great ones for dancing, singing and having a good time! After talking to the most “chilled out” soundman I have ever met before the gig, he had said that he loves doing the sound for cover bands as he knows the music so well, he can pretty much set the sound and mess about with the lights. And I must say, he did a fantastic job. The lighting movements were synchronised with prominent chord changes, etc which really added to the atmosphere, and he ALWAYS kept his eye on the stage so the moment I put my hand to my ear, I would instantly hear the keyboards louder through my monitor.
One of my favourite parts of the night was our “attempt” to play a request from a particularly fine looking woman for “Roxanne” by The Police – I mean, who were we to ignore such a stunner, and one with such good taste in music?……Needless to say it was a shambles, but ourselves and the crowd laughed it off, and we fired into “You shook me all night long” by ACDC, to the eruption of the crowd!
So there you have it: a fantastic gig in a fantastic venue. Not even the louts that wouldn’t move their drunken arses out of the road during the “carry” could have ruined it. And after being thrown in at the deep end last minute, and having not ever played a lot of the tunes before, I must have done something right, as since then I have filled in for Sunshine on about 4 or 5 separate occasions. Well, maybe the sound wasn’t as good as I thought that night, maybe they couldn’t hear me at all! Anyway, here’s to more of the same quality of gig, and looking forward to the next time I play the Keys at the Quays!

